Combining biological and digital processes, I create a sculptural self-portrait that encompasses the plural selves formed and coexisting online.

As we assign personal meaning to images, the boundaries between self/other and reality/fiction blur. Memes serve as tools for understanding and relating to ourselves and our emotions. A qualitative self emerges as we assign identity to images through labels and captions of “me.” Narratives develop around these plural selves, with memes becoming instruments in the ongoing process of identity creation and transformation.

Guided by the organic expansion of a rhizomatic root, I collect images at the will of my algorithms. Using memetic auto-theory, I explore how online we both define and evade description, continuously becoming and unbecoming ourselves. This process reflects the fluidity of identity in digital spaces, where meaning is constructed through shared symbols and evolving narratives.